I’ll admit that I haven’t finished chapters 1 and 2 yet, but
I want to get an initial response done after starting my reading. I’ve read
these chapters in the first edition, and I can say that I am very impressed
with the 2nd edition. I continue to be a “Bean disciple” practically
hanging on every word he says. I saw him at a conference last March, and he is
the model of an elderly statesman. Tall, lean, attentive, very articulate, but
not in a didactic way. I also like seeing the way he has incorporated much new
research and scholarship since the first edition.
I guess in this post I want to share where I am with
critical thinking in my writing class. I see now that I have used short
critical thinking assignments in my Freshman Comp I class for years called
“Process Journals” where students write about their writing experience. But I
see now that these are open-ended questions that ask students to consider many
of the different problems connected to writing: based on what reader’s value,
what should we strive to do as writers? What is the connection between speaking
and writing? How do you go about getting started on a writing project? My more
formal writing assignments, though, have not been so critical thinking oriented
but more geared toward learning the writing process and conventions of essay
form, development, and the integration of other people’s ideas in writing. The
assumption is that I am teaching students practices of approaching writing
tasks and strategies for meeting the common requirements of writing tasks that
students will take with them and build upon in other classes. Research has shown that these assumptions are not well founded...
I’m facing two deep questions or problems:
1)
What should Freshman Comp I be about? I’ve been
reading Anne Beaufort’s College Writing and Beyond, and it brings up the grim realities
about freshman comp that for most students the “skills” taught in the class
don’t transfer and that most students don’t get or see the larger rhetorical
goals we strive to achieve when attempt to create authentic writing tasks. It
is always “school” writing, and students don’t get the larger concepts about
communication in this setting. Smit and others have argued for the end of
composition courses in favor of discipline specific freshmen seminars that
would incorporate writing. Students need to write about a subject, and so often
comp teachers lasso in subject matter that they have no real expertise in, so
it is inexperts writing to inexperts (the blind leading the blind). I see now
why so many of my colleagues hold on to Comp II as a literature-based class
because literature is our field and we can make the writing in there discipline
specific. But then, how many of our students become literature majors?
So my first bigger question is what to make the content of my course to be about? A writing about writing movement has taken hold in comp studies in recent years, and perhaps I need to jump more on board with it. If I am to use critical thinking in my course to get students more engaged and learning more, then what exactly is the content of my course and how then do I use critical thinking writing tasks to promote this learning and engagement?
So my first bigger question is what to make the content of my course to be about? A writing about writing movement has taken hold in comp studies in recent years, and perhaps I need to jump more on board with it. If I am to use critical thinking in my course to get students more engaged and learning more, then what exactly is the content of my course and how then do I use critical thinking writing tasks to promote this learning and engagement?
2)
My second quandary has to do with creating
developmentally appropriate writing tasks. Where is the sweet spot for my
students? I purposefully redesigned the second half of my Freshman Comp I class
based upon my earlier reading of our Bean text, and I quite honestly had
horrible results. As I have found in the past with other critical tasks I have
designed, I have a few students who dig deeply into the task and accomplish
everything I would have hoped for from wrestling with the problem and
difficulty that the task presents. But, as happened this semester, I have far
too many students who practically fall off a cliff. No matter what sorts of
scaffolding I provide, they appear out of their league.
So I’m confronted with how to design the kinds of assignments that are difficult enough to push them to grow, but there is a kind of downhill nature about them—students can feel like there is a path for them to follow and accomplish the task and they can glide down it. I know those two aspects of the assignment seem contradictory, but I want the assignment to be do-able for them, yet challenging. In our context, it also must have a quality of being expandable so that stronger students actually can be challenged.
I’ll close by bringing up something Tripp Pressley mentioned
on Thursday at the P-16 meeting at Travis Elementary. He has been involved with
K-12 education for years, and involved with these efforts to integrate higher
ed and K-12 to promote better college readiness in our students coming in to
college. What he said he has seen and learned from his 2 ½ years working with
Pathways groups from four different disciplines is that what our young students
lack is not so much disciplinary knowledge or skills, but they are weak in the
area of cognitive skills: the ability to read critically, to formulate
inferences and generate logical conclusions based upon available information.
There are more cognitive skills, but I see that the difficulty my students had
in confronting a question with no easy answer and then the complex literacy
task of investigating this problem was too much for them. It was like I had
asked them to run a mile when they had not even been jogging lately.
The conclusion arrived at by this P-16 group, and it may shape my
rethinking, is how to design my writing curriculum to develop these cognitive
skills. Here are the College and Career Readiness Standards and you can section
called “Cross-Disciplinary Standards” p. a59
These cross-disciplinary standards are really pretty darn
good as I look at them again. Check them out.
Lennie,
ReplyDeleteYou hit upon a crucial problem. If writing class is to include more topics than literature, how can the teacher fit in instruction about this added content? Conversely, if other disciplines are to include more writing, how can they fit in instruction about writing? One possible strategy is to have a learning community matching a freshman comp class with a content class. This would help with class time allocation and the issue of expertise. The trick would be how to organize this so that prep and grading times are not increased. Northwest Vista does have two teachers who have been doing this for some time.
Thanks for the readiness standards link.
Liz
I think you've noted the problems of our teaching community college students -- the vast arc of experience and preparation. I have taken to showing how to repeatedly in class with secondary sources so that I am modeling rather than asking them to look only at a provided model. If I work with them, write in anticipation of showing them how writing is a puzzle, and then puzzling with students, I have better luck. AND i take my students for library instruction where the librarian also models the methods I want them to embrace. I also use diverse secondary resources so that students recognize the cross-discipline approach is a life saver -- if you LOVE history, you can write historically about a literary topic...etcetera.
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